In Corde Coeli (93)

The scene rises like a cathedral of light. From deep blue emerges a fluid wave, carrying at its crest green and golden flashes, resembling leaves or vegetal flames. Higher up, a column of warm colors—pink, orange, yellow—bursts forth like an inverted waterfall, ascending toward the sky. The entire composition seems to strive for elevation, between aquatic surge and celestial architecture.
And what if this painting invited us to see in every source of life a spark capable of building its own light?