Quintessence (1184)

This painting looks like a primordial explosion: a collision of colours where incandescent red strikes against icy blues, where gold mingles with ochre, and violet erupts in sudden flashes. Everything seems to vibrate with an elemental intensity, as if one were witnessing the Big Bang of pigments—the birth of a world still without form. Bubbles ripple outward like shockwaves, visible traces of an expansion that never ceases. Primordial fluidity flows, linking each fragment in a perpetual motion where nothing is extinguished, but all is transformed. The gaze is drawn in by this luminous chaos, magnetised by raw energy that knows no boundaries, no limits.